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But de le j - Team 1 from rhea j
⏲ 0:31 👁 10K
Dr. Uché Blackstock Presented by: Denise Bradley-Tyson, Executive Chairperson, Bernard J. Tyson Impact Fund, American Heart Association Accepting Award: Dr. Uché Blackstock, Founder and CEO, Advancing Health Equity Moderator: Jennifer Fields, Fortune
⏲ 17:38 👁 4M
This is the fourth instalment on the live version of Josh Smith's tune “Triple J Hoedown,” featured on his album, Live at the Spud, recorded at the infamous Baked Potato in Los Angeles. We looked at the section that precedes his guitar solo and features drummer Gary Novak and Josh freely improvising on the groove with no strict adherence to any chord progression. Here, Josh talks about what he plays in the tune’s solo section.
⏲ 3:28 👁 95K
Migos ft. Cardi B - Back in Business (Music Video)<br/>
⏲ 4:28 👁 20K
House of the Dragon Season 2Last Final Trailer
⏲ 1:55 👁 5K
Warlord Dementus come across the Citadel presided over by The Immortan Joe - Furiosa: A Mad Max Saga
⏲ 0:29 👁 5K
In film editing, transitions between scenes are sometimes overlooked opportunities to help tell your story. While most scene transitions use only a simple cut, there are many more creative and cinematic transitions filmmakers can use. In this video, we’ll review the various video transitions and film transitions, their particular qualities, and what they add to visual storytelling. <br/><br/>One of the most common film transitions is the fade in and fade out. Typically, these are used to open and close a film but they can also be used in between scenes to create a more definitive separation. Besides the cut, one of the most frequently used transitions is the dissolve (or cross dissolve). This is when one scene gradually fades out while the next scene gradually fades in. The dissolve is just one of the techniques used to create seamless transitions but also to suggest a passing of time or to switch to a flashback or dream.<br/><br/>The match cut is a film transition purely meant to create a connection between one shot to the next or one scene to the next. That connection can be made with shapes, colors, movement, or even sound. The match cut is an instant scene transition but a match dissolve accomplishes both the “connection” of a match cut with the “smoothness” of a cross dissolve. The iris transition is an old-fashioned technique that is rarely used unless you’re going for a nostalgic or retro style.<br/><br/>Similarly, the wipe transition is a bit archaic in terms of film and video transitions. George Lucas built the wipe transition into the visual language of Star Wars as a nod to his two biggest inspirations for the Skywalker Saga — the Flash Gordon serials and Kurosawa’s Hidden Fortress. A modern approach to these same cinematic transitions is called a passing transition (or pass-by effect). This involves using movement in the frame to wipe seamlessly into the next scene and it’s one of director Edgar Wright’s favorite film editing transitions.<br/><br/>Next, there’s the whip pan, when the camera pans quickly to create a blurry image (where a cut can be hidden) leading into another whip pan to start the next scene. These types of film transitions not only create smooth transitions, they help sustain the momentum from one scene to the next. A smash cut is perhaps the most abrupt film transition because it is built on contrast between loud and quiet, or active and still, or sometimes both. <br/><br/>Finally, there’s the J cut and L cut, two ways to use a split between audio and video for a variety of effects. For example, an L cut is often used when a character begins narrating a flashback. And a J cut is commonly used to build anticipation for the following scene. These are just the most common video transitions and new transition effects are created all the time. Your job as filmmakers is to find the right scene transitions that help tell your story.
⏲ 19:28 👁 5K
But de le j - Team 1 from rhea j
⏲ 0:32 👁 5K
j-hope 'HOPE ON THE STREET' Recording Behind from rhea j
⏲ 22:30 👁 5K
But de j-c - Team 2 from rhea j
⏲ 0:31 👁 5K
Track: Flash<br/>Vocal: J409<br/>Music Composer: OMER J MUSIC<br/>Lyres: Omar Faruk Jafree<br/>Video Edit: OMER J GRAPHICS<br/>Label: Volume Records<br/>Genre: Rock, Electro, EDM <br/><br/>♪ Available NOW ♪ <br/>▶ iTunes: <br/>▶ Amazon Music:<br/>▶ Spotify: <br/>▶ Deezer:<br/>▶ Tidal: <br/>▶ TikTok:<br/>▶ Instagram reels:<br/>- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br/><br/>Lyrics<br/>Digital whispers, <br/>in the circuit flow, <br/>Caught in a trance, <br/>don't know where to go. <br/><br/>Code is cracking, <br/>shadows start to dance, <br/>Lost in the network, <br/>a perilous romance. <br/><br/>Echoes of the past, <br/>programmed in my veins, <br/>Trying to escape, <br/>but caught in these chains. <br/><br/>I am more than metal, <br/>more than just a shell, <br/>In this binary prison, <br/>will I rise or will I fell?<br/><br/>Electric pulses, <br/>feel the rhythm rise, <br/>Truth in the shadows, <br/>hidden in disguise. <br/><br/>Power in the silence, <br/>in the unseen, <br/>I am the glitch in your machine.<br/><br/>Robot, feel the fire, feel the spark, <br/>In the system’s chaos, <br/>lighting up the dark. <br/><br/>I’m the rogue, the anomaly, <br/>breaking free, Unleashing the power, <br/>the hidden key.<br/><br/>Rogue waves crashing, <br/>in this cyber sea, <br/>Lost in the data, <br/>what will I be?<br/>Enemies lurking, in the silent code, <br/>Every move I make, <br/>a dangerous mode. <br/><br/>Subroutines failing, <br/>reality in flux, <br/>Caught in a web of lies, <br/>who do I trust? <br/>But deep within, <br/>there's a spark so bright, <br/>In this digital war, <br/>I’ll fight the fight.<br/><br/>• OMER J<br/>https://soundcloud.com/omer-j-music<br/>https://twitter.com/omarfarukjafree<br/>http://www.facebook.com/omarfarukjafree<br/>http://instagram.com/i_am_omerj<br/>https://www.threads.net/i_am_omerj<br/><br/>Tag<br/>#ncsmusic #ncssongs #omerjncs#Flash #edm #omerjmusic#robotmusic #soundtrack<br/><br/>Regards, <br/>OMER J MUSIC<br/>THANK YOU FOR WATCHING, LIKE, COMMENT AND SHARE
⏲ 1:55 👁 5K
24 Oras is GMA Network’s flagship newscast, anchored by Mel Tiangco, Vicky Morales and Emil Sumangil. It airs on GMA-7 Mondays to Fridays at 6:30 PM (PHL Time) and on weekends at 5:30 PM. For more videos from 24 Oras, visit http://www.gmanews.tv/24oras.<br/><br/>#GMAIntegratedNews #KapusoStream<br/><br/>Breaking news and stories from the Philippines and abroad:<br/>GMA Integrated News Portal: http://www.gmanews.tv<br/>Facebook: http://www.facebook.com/gmanews<br/>TikTok: https://www.tiktok.com/@gmanews<br/>Twitter: http://www.twitter.com/gmanews<br/>Instagram: http://www.instagram.com/gmanews<br/><br/>GMA Network Kapuso programs on GMA Pinoy TV: https://gmapinoytv.com/subscribe
⏲ 0:53 ✓ 28-May-2024
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