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_odotus-124the-wait-2021-5-6-124-drama-romance.webp "Odotus, also known as The Wait, is a 2021 Finnish drama film directed by Aku Louhimies. The movie is set on an island in the Finland archipelago sea and is an updated version of a 19th-century romance. The story revolves around Elli’s world, which is shaken when her husband’s old friend arrives on the island.<br/><br/>The film received positive reviews, with critics praising its slow and straightforward approach to exploring themes of love, betrayal, and brutal honesty. The movie premiered at the 25th Tallinn Black Nights Film Festival and has since received attention from film critics and audiences alike.<br/><br/><br/>#Odotus #TheWait #2021Film #Drama #Romance #FinnishCinema #EmotionalJourney #RelationshipDrama #CinematicExperience #GrippingNarrative #CompellingPerformances #AtmosphericCinematography #IndieFilm #ContemporaryCinema #ModernRomance #TimelessClassic #CinematicMasterpiece #RetroCharm #VintageCharm #FinnishFilm #EmotionalDrama #sex #nudity #sensual #sexualact #RelationshipJourney #IndieGem #ModernCinema #RomanceGem #DramaGem #CinematicTreasure #EmotionalStorytelling #ContemporaryMasterpiece.")
_shakila-hot-funny-youtube-shorts.webp "ASP Factsu0026Fun")
_shakeela-hits-and-flops-telugu-movies-list-shakeela-movies-list.webp "Hari Movie Review")
_kristen-doute-is-ready-to-start-trying-to-have-a-baby-again.webp "Kristen Doute has revealed that she's keen to start trying to have a baby again.")
_-124-shakeela-latest-interview-video-124-shakeela-video.webp "Tollywood Central")
⏲ 1 minute 59 seconds 👁 42.8K
_paruvam-telugu-full-hd-movie-124-priyan-124-shakeela-124-media6.webp "Cinema Zindagi")
_dr-hilary-cass-independent-review-of-gender-identity-services-for-children-and-young-people.webp "Independent Review of Gender Identity Services for Children and Young People: The Committee will take evidence from—<br/>Dr Hilary Cass, Chair, The Cass Review")
⏲ 59:13 👁 9.6M
_shakila.webp "vgonline")
_shakeela-hot-sex-video39s.webp "master shots bY Aj")
_john-lydon-exclusive-chat-with-former-sex-pistol-johnny-rotten-ahead-of-his-blackpool-show.webp "John Lydon – aka Johnny Rotten – changed the face of music and sparked a cultural revolution.<br/><br/>The legendary frontman and lyricist of the Sex Pistols and Public Image Ltd has caused his fair share of political earthquakes during a unique and extraordinary career.<br/><br/>From the mischievous glint which still twinkles brightly in his eyes, you sense he’s relished every single moment. And still does.<br/><br/>On June 2, the London-born singer will visit Blackpool’s Winter Gardens as part of his spoken word tour, I Could Be Wrong, I Could Be Right.<br/><br/>He will talk about how he sees life, his unique and extraordinary career, and take audience questions.<br/><br/>Ahead of his show, reporter Sean Gleaves sat down for a chat with Lydon to find out what people can expect.")
⏲ 7:7 👁 865K
_sarah-jessica-parker-hints-at-complex-storyline-ahead-for-and-just-like-that-season-3.webp "Sarah Jessica Parker hints at 'complex' storyline ahead of And Just Like That Season 3TODAY with Hoda and Jenna")
⏲ 0:47 👁 855K
_tu-jhoothi-main-makkaar-romantic-full-movie---ranbir-kapoor-shraddha-kapoor.webp "Madness ensues when a 'Player' in the world of romantic relationships finds a girl who's a worthy opponent. Tu Jhoothi Main Makkaar is a film that believes Love is a battle of wits.<br/>Mickey, a carefree businessman and womaniser, helps couples break up. However, things change for him when he falls for Tinni, a witty and beautiful chartered accountant.<br/>Cast: Ranbir Kapoor, Shraddha Kapoor, Anubhav Singh Bassi, Dimple Kapadia, Boney Kapoor<br/><br/>In a normal universe, Tu Jhoothi Main Makkaar is about a ‘boy’ and a ‘girl’ who fall in love only to realize that they want different things from life. Breaking up is a problem because they’re not Gen Z enough to ghost each other. At most, they hang around in the relationship until the love dissipates. Anything to not have “the talk”. In this normal universe, the film is certainly not called Tu Jhoothi Main Makkaar, or anything on the lines of Sonu Ke Titu Ki Pyaar Ka Punchnama. But in Luv Ranjan’s universe, this same story is a bitter battle of sexes between a good-looking boy and a gorgeous girl who tries to leave him because – horror of horrors – she likes her independence and his family is too overbearing.<br/><br/>You can’t say Ranjan isn’t trying. If anything, this is him reacting to the criticism – that is, the (correct) accusations of casual misogyny bubble-wrapped in crowd-pleasing comedy – of his previous movies. You see, the women in those movies (Pyaar Ka Punchnama, Sonu Ke Titu Ki Sweety) were scheming, conniving caricatures who forced their boyfriends to choose between bromance and romance. Love was a messy war of ownership. But here, the conflict is centered on the woman’s inability to be cruel and manipulative; she is too evolved to be the quintessential Luv Ranjan heroine. (Coincidentally, actress Shraddha Kapoor’s breakout film, from 2011, was called Luv Ka The End). Her Nisha in this film is so nice that, rather than force poor Rohan (Ranbir Kapoor) to choose between his family and her, she attempts to do the nobler thing: Gaslight him into believing he’s the issue. Nisha would rather have Rohan reject her than the other way around. You see, her dishonesty is merely an expression of compassion. This is Luv Ranjan being progressive.<br/><br/>Never mind that Rohan, like his Kartik Aaryan-esque predecessors, decides to turn her predicament into a game. At stake is the incorruptible Indian idea of marrying not just the person, but also the family. In the pink corner lies Rohan’s courage to go from cold Casanova to heartbreaking martyr, and his pride of being a Momma’s Boy. In the blue corner lies Nisha’s reluctance to sacrifice her own ambitions at the altar of Rohan’s Barjatya-shaped love. There can be only one winner. At one point, he subjects Nisha to a sexist rant about women and jobs – except that he’s only pretending to be a horrible man. He’s pretending to be a Kabir Singh so that nobody blames her. For a moment, I was almost impressed by Luv Ranjan’s self-awareness to use toxic masculinity as a smokescreen.")
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