CatMap VS DogDay*Rich Gadgets and Poor Crafts Challenge with Smiling Critters* from my roomate and i watching a movie Watch Video

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✓ Published: 31-May-2024
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Who will win CatMap or DogDay? I vote for Cat! Watch the battle of Rich Gadgets vs. Poor Craft and vote for your favorite!<br/><br/>#crafts #gadgets #richvspoor #SmilingCritters #DogDay

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Who will win CatMap or DogDay? I vote for Cat! Watch the battle of Rich Gadgets vs. Poor Craft and vote for your favorite!&#60;br/&#62;&#60;br/&#62;#crafts #gadgets #richvspoor #SmilingCritters #DogDay
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Our choice of clothes helps to define how we think of ourselves and how we think of others.&#60;br/&#62;An outfit can suggest social status, political beliefs, a certain taste in music and even our mood on any given day - there’s always story&#60;br/&#62;behind the clothes we wear.&#60;br/&#62;It’s one of the reasons Harriet Eccleston, whose clothing brand goes by the same name, felt compelled to continue in a family tradition of tailors, drapers and milliners stretching back generations.&#60;br/&#62;“It’s quite a personal thing,” she said. “The garments that you wear are one of the first things that people see about you and I guess (they) interpret your characteristics or your personality through your choice of clothing and that has always interested me - the emotion, the personality that clothes can bring out.”&#60;br/&#62;Working out of her one room workshop in the Albyn Works, a former&#60;br/&#62;factory building in Sheffield’s Kelham Island, Harriet creates&#60;br/&#62;womenswear with sustainability and heritage at its core.&#60;br/&#62;From ideation and fabric cutting all the way through to hand stitching buttons and packaging items, Harriet’s head, heart and hands are behind it all.&#60;br/&#62;The finest British cottons and wools are taken and combined with a soft colour palette to create elegant garments with a classic versatility.&#60;br/&#62;Yet the reason Harriet’s creations stand out is beyond their aesthetic.&#60;br/&#62;Examine them more closely and you find storytelling and tradition woven into every piece.&#60;br/&#62;The influence of Harriet’s ancestry is evident throughout her business.&#60;br/&#62;“Fashion is in my blood, their stories are in my heart,” reads her website.&#60;br/&#62;Scattered amid the fabric swatches and sketches on the work surfaces and pin boards of her workshop are black and white photos of a moustachioed man immaculately turned out regardless of the scene he appears in.&#60;br/&#62;The man’s name is E.D. Soulsby and he’s Harriet’s great great&#60;br/&#62;Grandfather. &#60;br/&#62;In the late 1800s and early 1900s, Soulsby, owned and ran a menswear shop in the industrial heartlands of Northumbria.&#60;br/&#62;“It was in the family for generations - everybody mucked in and was part of it.&#60;br/&#62;“My granny spent a lot of time there until she was married and she told me a lot of stories. &#60;br/&#62;“They specialised in quality menswear clothing and the idea was they were pieces that would last.”
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Rock In Australia 1984 &#60;br/&#62;&#60;br/&#62;&#60;br/&#62;Looking at baby&#39;s face I saw the plight of the&#60;br/&#62;Human race&#60;br/&#62;Dying to survive&#60;br/&#62;Shaken by the irony the anger rose inside of me&#60;br/&#62;And would not, would not subside&#60;br/&#62;I thought you&#39;re too young to understand&#60;br/&#62;That the fate of every mortal man&#60;br/&#62;Rests in someone&#39;s mortal hand tonight&#60;br/&#62;In the nuclear insanity there&#39;s a death watch&#60;br/&#62;On the land and sea&#60;br/&#62;And I believe that we may never live our lives&#60;br/&#62;We were born under the gun and just like&#60;br/&#62;Every mother&#39;s son&#60;br/&#62;We are hostage to the megaton and the world&#60;br/&#62;Could die tonight&#60;br/&#62;Under the gun, we live in fear that the end&#60;br/&#62;Will come&#60;br/&#62;But there&#39;s one place to run&#60;br/&#62;Run to the son&#60;br/&#62;Everyone can see that the hour is late&#60;br/&#62;And every soul on earth got to demonstrate&#60;br/&#62;Their loving if we&#39;re to survive&#60;br/&#62;&#39;Cause we&#39;re tired of living on the brink&#60;br/&#62;Scared to death that our ship will sink&#60;br/&#62;At the winking of an eye&#60;br/&#62;This course we&#39;re on&#39;s a big mistake&#60;br/&#62;&#39;Cause we all lose in the nuclear race&#60;br/&#62;It&#39;s time to show all the heads of state that we&#60;br/&#62;Believe&#60;br/&#62;Yes we believe that we&#39;re fighting for our lives&#60;br/&#62;We were born under the gun and just like&#60;br/&#62;Every mother&#39;s son&#60;br/&#62;We are hostage to the megaton and the world&#60;br/&#62;Could die tonight&#60;br/&#62;Under the gun, we live in fear that the end&#60;br/&#62;Will come&#60;br/&#62;But there&#39;s one place to run&#60;br/&#62;Run to the son&#60;br/&#62;There&#39;s a finger on the button but if it&#39;s&#60;br/&#62;Pressed we&#39;re not forgotten&#60;br/&#62;Millions speak, feel no fear&#60;br/&#62;The mood to change is in ascendance here&#60;br/&#62;There&#39;s a finger on the button but if it&#39;s&#60;br/&#62;Pressed we&#39;re not forgotten&#60;br/&#62;Millions speak, feel no fear&#60;br/&#62;The mood to change is in ascendance here&#60;br/&#62;There&#39;s a finger on the button but if it&#39;s&#60;br/&#62;Pressed we&#39;re not forgotten&#60;br/&#62;There&#39;s a finger on the button but if it&#39;s&#60;br/&#62;Pressed we&#39;re not forgotten&#60;br/&#62;&#60;br/&#62;Songwriters: J. D. Martin / Jim Rushing&#60;br/&#62;
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Record Date: November 23, 1982&#60;br/&#62;Record Location: Royal Albert Hall, London&#60;br/&#62;Arranged By: Richard Hewson&#60;br/&#62;Produced By: Cliff Richard &amp; Richard Hewson&#60;br/&#62;Engineered By: John Kurlander&#60;br/&#62;Mixed By:Keith Bessey&#60;br/&#62;Mix Location:Strawberry Studios South, Surrey&#60;br/&#62;Performed By: Cliff Richard (vocals), The London Philharmonic Orchestra conducted by Richard Hewson (orchestra), David Cooke (synthesizer), Mark Griffiths (bass), Graham Jarvis (drums), Steve Gray (piano), Tony Rivers (backing vocals), Tony Harding (backing vocals), Stuart Calver (backing vocals), John Perry (backing vocals)&#60;br/&#62;LYRICS&#60;br/&#62;&#60;br/&#62;Softly, I will leave you softly&#60;br/&#62;For my heart would break if you should wake and see me go&#60;br/&#62;So I leave you softly, long before you miss me&#60;br/&#62;&#60;br/&#62;Long before your arms can beg me stay&#60;br/&#62;For one more hour or one more day&#60;br/&#62;After all the years, I can&#39;t bear the tears to fall&#60;br/&#62;So softly, as I leave you there&#60;br/&#62;&#60;br/&#62;So I will leave you softly&#60;br/&#62;Long before you miss me&#60;br/&#62;Long before your arms can beg me stay&#60;br/&#62;For one more hour or one more day&#60;br/&#62;&#60;br/&#62;After all the years, I can&#39;t bear the tears to fall&#60;br/&#62;So softly, as I leave you there&#60;br/&#62;As I leave you there&#60;br/&#62;As I leave you there
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